Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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Clara Wittgenstein With the 9.21.1923 Evening Edition of the Neuen Freien Presse in Zell am See

September 1923

Original negative

MN GK 67

Gustav Klimt Crossing the Tivoli Bridge

circa 1914

Print

Palais Erdődy, Vienna

circa 1910

Original negative

MN G 22

Partial View of the Naschmarkt

circa 1885

Original negative

MN R 156

"Rain Dance" by Henri Evenepoel

March 1907 - May 1907

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"Landscape" by Gustav Schütt

January 1913 - February 1913

Original negative

MN S 43

View Into the XVIth Exhibition of the Vienna Secession

circa January 1903

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“Ball by the Washing Lines” by Josef Engelhart

October 1909 - January 1910

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Model of a Project for a Small Castle for Baroness M. by Leopold Bauer

1904

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"Ripe" by Gustaf Fjæstad

November 1901 - January 1902

Original negative

MN W 23

Wittgenstein House, Vienna

summer 1928

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The Beethoven Frieze (The Suffering of Weak Mankind, the Well-Armed Strongman) by Gustav Klimt

November 1903 - December 1903

Original negative

MN S 61

View Into the XXVth Exhibition of the Vienna Secession, Hall II

January 1906

Original negative

MN R 353

"The Rich Catch" by Alfred Basel

January 1914 - February 1914

Print

"Portrait of my Father" by Ernst Eck

September 1917 - November 1917

Original negative

MN GK 10

The Beethoven Frieze (Paradise Choir and Embrace) by Gustav Klimt

April 1902 - June 1902

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The Reșița Works

1891

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Clara Wittgenstein With the 9.21.1923 Evening Edition of the Neuen Freien Presse in Zell am See

September 1923

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Barbara ("Betty") Oser in Laxenburg

1900

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Retention of the Bread Card Stubs Delivered by the Bakers and Innkeepers for a Fortnight

circa 1916