Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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Original negative

MN G 9

Hoher Markt, Vienna

Print

Landscape

undated

Print

Hadikgasse 62, Vienna

undated

Original negative

MN GK 41

"The Kiss" by Gustav Klimt

June 1908 - November 1908

Original negative

MN S 28

View Into the XIVth Exhibition of the Vienna Secession, Entrance to the Central Hall

April 1902 - June 1902

Original negative

MN S 55

Maximilian Lenz and Josef Engelhart Painting "The Baptism of the Ethiopian" in the XXIVth Exhibition of the Vienna Secession

1905

Print

The Last Beautiful Tree

1910

Original negative

MN G 71

Stalls on the Old Naschmarkt in Front of the Freihaus, Josef Meyer’s Stall "Fleischselcher"

1895

Print

View Into the Vienna Secession, Ribbon Redoute Hall

1910

Original negative

MN R 293

"Weißenkirchen in the Wachau" by Ludwig Sigmundt

March 1912 - July 1912

Print

Am Hof Church, Vienna

1910

Print

Bust by Josef Engelhart

October 1909 - January 1910

Original negative

MN GK 76

Gustav Klimt in Front of His Atelier on Feldmühlgasse

circa May 1917

Print

Interior, Taken on the Occasion of the Wedding Between Marie Salzer Wittgenstein and Paul Stockert 1923

1923

Original negative

MN SP 3

Self-Portrait in the Order of the Golden Fleece With Orb (Gschnasfest)

undated

Original negative

MN SP 9

Self-Portrait

circa 1890

Print

Gustav Klimt in Front of His Atelier on Feldmühlgasse

circa May 1917

Original negative

MN R 430

"Male Portrait" by Ludwig Wieden

April 1919 - May 1919

Original negative

MN G 79

Hubertusfest

02/17/1896

Original negative

MN SP 12

Self-Portrait in His Apartment With Framed Photographs on the Walls and Glass Plates on the Sideboard

circa 1900