Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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Original negative

MN R 51

Wall Mosaic by Richard Luksch

April 1902 - June 1902

Original negative

MN R 202

"The Youth" by Anton Hanak

03/27/1909

Original negative

MN R 313

"Interior in Skodagasse, Study" by Rudolf von Alt

November 1912 - December 1912

Original negative

MN GK 63

The Stoclet Frieze (Anticipation (Dancer))

October 1911

Print

"On the Banks of the River Bystrytsia" by Arkady Aleksandrovič Rylov

November 1901 - January 1902

Original negative

MN S 6

View Into the Ist Exhibition of the Vienna Secession, View From Hall V Into Hall I

March 1898 - June 1898

Print

Tikveš Hunting Lodge, Lobby

1896

Print

Schützenkränzchen in Vienna’s Künstlerhaus

circa 1890

Print

"View of Pont-en-Royans" by Charles Cottet

March 1907 - May 1907

Print

"Interior" by Hilde Kotányi

November 1910 - December 1910

Original negative

MN A 80

Sievering Parish Church, Vienna

before 1896

Print

Wittgenstein House, Staircase

after 1928

Print

Model of a Project for a Small Castle for Baroness M. by Leopold Bauer

1904

Print

View From Burggasse Into Spittelberggasse Below, Vienna

1910

Original negative

MN R 410

"Silver Morning, Hinterstoder" by Alfred Poell

April 1918 - July 1918

Original negative

MN S 56

Maximilian Lenz, Josef Engelhart und Friedrich König in the XXIVth Exhibition of the Vienna Secession

1905

Print

Wittgenstein House, Vienna, South-West View in Winter

after 1928

Print

Damian Palais, Vienna

circa 1910

Print

“Ball by the Washing Lines” by Josef Engelhart

October 1909 - January 1910

Print

Lid for the Baptismal Font of the Holy Ghost Church by Ferdinand Andri

circa 1903-1905