Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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"Jurisprudence" by Gustav Klimt

1902

Print

"The Hostile Forces" by Gustav Klimt

1902

Print

"Still Life With Plaster Figure" by Anton Nowak

April 1919 - May 1919

Print

Bread Distribution in front of the Ankerbrot Factory Store

04/09/1915

Original negative

MN R 347

"Giant" by Anton Hanak

March 1913 - July 1913

Original negative

MN A 1

Views of Old Vienna

undated

Original negative

MN S 61

View Into the XXVth Exhibition of the Vienna Secession, Hall II

January 1906

Original negative

MN R 70

Relief by Maximilian Lenz

April 1902 - June 1902

Print

"Martyr" by Olaf Lange

April 1911 - July 1911

Print

Sophie Chotek With Her Sons Maximilian and Ernst

circa 1910

Original negative

MN W 34

View of the Wittgenstein House, Vienna

summer 1928

Print

Members of the Hagengesellschaft After a Schützenkränzchen in Vienna‘s Künstlerhaus

circa 1887-1888

Original negative

MN R 104

"The Walk" by Karl Schmoll von Eisenwerth

March 1906 - May 1906

Original negative

MN R 335

"Jenesian Farmer" by Friedrich von Radler

January 1913 - February 1913

Original negative

MN S 74

View Into the XXVth Exhibition of the Vienna Secession, Hall IV

March 1906 - May 1906

Original negative

MN S 88

View Into the XXIXth Exhibition of the Vienna Secession, Hall V

March 1907 - May 1907

Original negative

MN G 83

End of the Schützenkränzchen in the Pub Blauen Freihaus

circa 1897

Print

"Resting" by Helene Stein

January 1913 - February 1913

Original negative

MN S 90

View Into the XXXIst Exhibition of the Vienna Secession, Right Side Room

fall 1908

Original negative

MN W 48

Marie Stockert-Salzer

circa 1931