Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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Original negative

MN G 53

Stalls on the Old Naschmarkt

circa 1895

Print

"Female Portrait" by Wilhelm Leibl

November 1906 - December 1906

Original negative

MN R 106

"Hercules Tames the Hound of Hell" by Carl Ederer

March 1906 - May 1906

Original negative

MN R 193

"Luke the Evangelist" by Othmar Schimkowitz

03/27/1909

Original negative

MN G 34

Lady by a Forest Stream With Huts

circa 1890

Original negative

MN H 17

Archduchess Gabriele, Archduchess Isabella and Archduchess Maria Alice

circa 1898

Original negative

MN R 74

"Wooden Sledge" by Ferdinand Andri

circa 1903

Original negative

MN R 385

"Awakening" by Otto Lendecke

1917

Original negative

MN G 29

Wine Farmers in the Wachau

undated

Print

Ludwig, Margaret, Helene and Hermine Wittgenstein at Hochreith Hunting Lodge

circa 1930

Print

Family Portrait by Leonhard Schuller

January 1913 - February 1913

Original negative

MN A 53

Spittelberggasse 8, Vienna

circa 1890

Original negative

MN S 31

View Into the XIVth Exhibition of the Vienna Secession, Central Hall

April 1902 - June 1902

Original negative

MN R 290

"Horse Keeper" by Ludvík Vacátko

March 1912 - July 1912

Original negative

MN R 63

Carved Grotesque by Ferdinand Andri

April 1902 - June 1902

Original negative

MN GK 42

"The Kiss" by Gustav Klimt

June 1908 - November 1908

Print

Three Vases ("Flower Holders”) After Designs by Leopold Bauer

circa 1906

Print

Partial View of the Naschmarkt

circa 1885

Original negative

MN I 1

Interior of the Nähr Family Apartment, Vienna

undated

Original negative

MN W 24

The Wittgenstein Family in the Salon of the Wittgenstein House

circa 1930