Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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Original negative

MN H 18

Archduchesses Maria Christina, Maria Anna, Maria Henriette und Natalie

circa 1898

Original negative

MN R 204

“Harpist” by Josef Engelhart

October 1909 - January 1910

Print

Gustav Klimt With the Artists of the XIVth Exhibition of the Vienna Secession

circa April 1902

Print

Stuben Bridge, Vienna

1903

Original negative

MN R 403

"Portrait of my Father" by Ernst Eck

September 1917 - November 1917

Original negative

MN GK 67

Gustav Klimt Crossing the Tivoli Bridge

circa 1914

Original negative

MN A 96

Währing Cemetery, Vienna

before 1898

Original negative

MN R 363

"Death and the Girl" by Ferdinand Kitt

January 1914 - February 1914

Print

View Into the Vith Exhibition of the Vienna Secession

01/20/1900 - 02/15/1900

Original negative

MN G 36

Corpus Christi Procession, Vienna

circa 1890

Print

End of the Schützenkränzchen in the Pub Blauen Freihaus

circa 1897

Original negative

MN R 27

Three Paintings by Konstantin Alexejewitsch Korowin

November 1901 - January 1902

Original negative

MN R 399

"Haystacks" by Josef Stoitzner

September 1917 - November 1917

Original negative

MN R 63

Carved Grotesque by Ferdinand Andri

April 1902 - June 1902

Print

Gustav Klimt in the Garden of His Atelier at Josefstädter Straße

circa May 1911

Original negative

MN R 192

"Child Portrait" by Ludwig Wieden

March 1909

Print

"The Sleeping Girls" by Friedrich König

March 1912 - July 1912

Print

The "Platzl" in Neustiftgasse 25-35, Vienna

1907

Print

"Bernina Landscape" by Alfred Poell

September 1917 - November 1917

Print

“Galician Market” by Ferdinand Andri

circa 1899