Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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Original negative

MN R 261

“Children in Nature” by Alfred Philippe Roll

circa April 1911

Original negative

MN A 90

Leopold Bridge, Flooding of the Vienna River, 1897

07/31/1897 - 08/04/1897

Original negative

MN H 36

Archduke Rainer and Archduchess Maria Karolina

before 1913

Original negative

MN P 28

First Lieutenant Leo Putz

after 1896

Original negative

MN R 45

Painting in Silicate Colors by Max Kurzweil

April 1902 - June 1902

Original negative

MN I 24

Upper Belvedere, Vienna, Library

circa 1907

Print

"Hercules Tames the Hound of Hell" by Carl Ederer

March 1906 - May 1906

Original negative

MN R 160

"Peacock and Grapes" by Carl Ederer

March 1907 - May 1907

Original negative

MN G 21

Partial View of the Naschmarkt

circa 1885

Original negative

MN P 14

Ludmilla Waas With Dog

undated

Print

Wittgenstein House, Entry Hall With View Toward the Southwestern Terrace

spring 1929

Original negative

MN S 7

View Into the IInd Exhibition of the Vienna Secession, Center Hall

circa November 1898

Original negative

MN A 128

Favoriten Line (Heading Out of Town), Vienna

circa 1900

Original negative

MN GK 5

"The Large Poplar I" by Gustav Klimt

after 1900

Original negative

MN A 12

Neubaugasse 64, Vienna

undated

Original negative

MN I 12

St. Peter's Church, Vienna

circa 1907

Original negative

MN S 14

View Into the Vith Exhibition of the Vienna Secession

01/20/1900 - 02/15/1900

Print

"Street in Dürnbach" by Josef Stoitzner

March 1912 - July 1912

Print

Carved Grotesque by Ferdinand Andri

April 1902 - June 1902

Print

“Galician Farmers” possibly by Ferdinand Andri

circa 1898-1899