Gustav Klimt Vienna 1900 Foundation Moriz Nähr catalogue raisonné
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In this area you will find the first comprehensive catalogue raisonné of Moriz Nähr's work, which was compiled by the Klimt Foundation in collaboration with the photo historian Uwe Schögl. With the help of a global search including a wide range of filter options and links, you can independently explore and research different contents of the photographer in detail.

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Original negative

MN R 45

Painting in Silicate Colors by Max Kurzweil

April 1902 - June 1902

Print

Ulrichsplatz 2, Vienna

1910

Print

"Seated Girl in Peasant Costume" by Alfred Hofmann-Stollberg

March 1912 - July 1912

Original negative

MN L 30

Slain Stag

undated

Print

"Early Spring in Grünwald" by Richard Pietzsch

January 1907 - February 1907

Original negative

MN R 405

"Bagpiper" by Władysław Jarocki

September 1917 - November 1917

Print

Gustav Klimt's Birthplace, Vienna

circa spring 1911

Original negative

MN R 126

"Portrait of Mrs Carrière" by Eugène Carrière

November 1906 - December 1906

Print

Stall on the Naschmarkt With Krampus and St. Nicholas Figures

1940

Original negative

MN R 277

"House of the Vestal Virgins in the Forum Romanum" by Elsa Oeltjen-Kasimir

April 1911 - July 1911

Original negative

MN R 321

Male Portrait by Léopold Gottlieb

January 1913 - February 1913

Original negative

MN I 20

Villa Wertheimstein, Vienna, Bauernfeld Room

1907

Original negative

MN R 416

Portrait of Josef Engelhart by Professor Rudolf Bacher

1919

Print

Partial View of the Naschmarkt

circa 1885

Original negative

MN G 35

Butcher With Cow in a Courtyard, Vienna

circa 1890

Print

Stalls on the Old Naschmarkt

circa 1895

Original negative

MN GK 28

"From the Realm of the Dead (Procession of the Dead)" by Gustav Klimt

1903

Original negative

MN R 39

Painting by Elena Luksch-Makowksy

April 1902 - June 1902

Original negative

MN S 31

View Into the XIVth Exhibition of the Vienna Secession, Central Hall

April 1902 - June 1902

Print

“Peter the Apostle” by Ferdinand Andri

1905